This was in the mid-sixties. It was a rather warmish, foggy night in January. I had come back to New Hampshire to go to the contra dance - in Dublin, as it happened. I ran into Barry (Tolman)..........
As we continue to celebrate Nelson's 250th anniversary, we thought it'd be fun to go back 50 years to get a glimpse of Nelson's 200th birthday party as written by Lael Wertenbaker. A "witty and interesting article," although probably not 100% factual! Thanks to WKNE for giving us permission to print this.
This biographical essay about Albert "Quig" Quigley was written by his son Barney and published in the 2017 full-color comprehensive catalogue celebrating the life and work of this Nelson artist. The catalogue "Albert Duvall Quigley (1891-1961), Artist, Musician, Framemaker" was compiled by the Albert D. Quigley Exhibit Committee and is available at the Historical Society of Cheshire County in Keene or from local bookstores.
One of the chief items on tonight’s agenda at the Nelson town meeting will be to mourn the passing of Sidney Partridge as the town’s tax collector.
If an informed citizenry is the best basis for democracy, Nelson has certainly become one of the most democratic places in the world.
From Summer to Settler: This interview with Suzanne Murray, as enhanced by Tom Murray, is one of a series of interviews conducted by Tom Murray, her son. He is especially interested in talking with people who became “year-round people” after having spent time in Nelson as “summer people.”
From Summer to Settler: This interview with Ben Smith is one of a series of interviews conducted by Tom Murray, his nephew. He is especially interested in talking with people who became “year-round people” after having spent time in Nelson as “summer people.”
From Summer to Settler: This interview with Henry and Judith Putzel is one of a series of interviews conducted by Tom Murray. He is especially interested in talking with people who became “year-round people” after having spent time in Nelson as “summer people. "
From Summer to Settler: This interview with Bonnie Riley is one of a series of interviews conducted by Tom Murray. He is especially interested in talking with people who became “year-round people” after having spent time in Nelson as “summer people.”
In 1997 and again in 2010, The Hotel Nelson, a musical theatre, was created by, for, and about the Town of Nelson. The original was researched, written, composed, acted and produced, under the direction and guidance of Larry Siegel. The later was revisited from that earlier performance with some new material.
Do you know Floppy Tolman? If you don’t you might like to. Maybe you have heard of her “confabulations,” the whimsical creations made of such practical discards as watch parts and buildings scraps. Or maybe you do know Floppy. If you do you know someone special.
In 1891 Olivia Rodham bought the Collins place on Lead Mine Road in Nelson, New Hampshire. Her barn there, itself, stood as mute witness to Miss Rodham's influence. She cleaned it, shored it up, shingled it, converted it to bedrooms above the original stalls and tucked her library in one end.
After forty years of use, I’ve finally had to discard a braided rug Ma Tolman made at the Ladies Aid. Her workmanship, with its great careless leaping stitches, wasn’t up to the standard of, say, Mrs. Cora Tolman. Besides, Ma had a tendency to use what-came-to-hand, and the section which came from an old pair of Pop’s brown serge trousers was a mistake.
Listen carefully, these are the symptoms: increased heartbeat, memory loss, neuromuscular discoordination, heightened respiration, profuse sweating, confusion and fatigue. The above symptoms are exhibited by all greenhorns, newcomers and beginners at a Nelson Contra Dance. I speak from recent experience.
I’ve just lugged a couple of green plastic chairs up to the top of the Jack Rabbit, a hill overlooking Tolman Pond and the 1790's vintage Farmhouse, which was cleared for skiing in the 1920’s - we're told one of the first such hills in New England.
Eulogies for Francis W. P. Tolman (1902-1969) and Albert D. Quigley (1891-1961)
We think that the northern part of heaven lies down a stretch of dirt road that leaves the paved Harrisville Road in southwestern New Hampshire. We get there, as we say, by going down the rabbit hole. That’s a bit of fantasy, I know. The “rabbit hole” is a 500-foot descent down a tree-covered road that opens onto a kind of Wonderland—Tolman Pond and vicinity.
Of the several houses in these parts as old or older than the Tolman Pond farmhouse, it’s the only one that looks its age - grey, wrinkled, gnarled like bark that woodpeckers have worked over. Then at the turn of the century, it was jerked to its feet and during the next hundred years given a series of transplants and internal transfusions that wrought wonders.
When Jack Sherrard wasn’t tending the animals in his rabbit factory (first located in the substratum of the old Munsonville brick mill) or working as a house painter, he dedicated himself to the art of hunting down miscreants.
In the 50 years since her death, my great-grandmother’s diaries have resided under a built-in bench in a sunny spot on the south side of the farmhouse that looks out on Tolman Pond, in Nelson.
When Barry and I first moved into the Farmhouse at Tolman Pond in 1969, our only available telephone service was a six-party line. Of course we knew all the neighbors who shared the line, and after conquering the established art of discreet eavesdropping, we also knew most of their business. As they surely knew most of ours!